Rose o' the River
from his finicky little person: something of it was the glamour that belonged to Boston,—remote, fashionable, gay, rich, almost inaccessible Boston, which none could see without the expenditure of five or six dollars in railway fare, with the added extravagance of a night in a hotel, if one would explore it[Pg 105] thoroughly and come home possessed of all its illimitable treasures of wisdom and experience.

[Pg 105]

When Claude came to Edgewood for a Sunday, or to spend a vacation with his aunt, he brought with him something of the magic of a metropolis. Suddenly, to Rose’s eye, Stephen looked larger and clumsier, his shoes were not the proper sort, his clothes were ordinary, his neckties were years behind the fashion. Stephen’s dancing, compared with Claude’s, was as the deliberate motion of an ox to the hopping of a neat little robin. When Claude took a girl’s hand in the “grand right-and-left,” it was as if he were about to try on a delicate glove; the manner in which he “held his lady” in the polka or schottische made her seem a queen. Mite Shapley was so affected by it that when Rufus attempted to encircle her for the mazurka she exclaimed, “Don’t act as if you were spearing logs, Rufus!”

Of the two men, Stephen had more to[Pg 106] say, but Claude said more. He was thought brilliant in conversation; but what wonder, when one considered his advantages and his dazzling experiences! He had customers who were worth their thousands; ladies whose fingers never touched dish-water; ladies who wouldn’t buy a glove of anybody else if they went bare-handed to the grave. He lived with his sister Maude Arthurlena in a house where there were twenty-two other boarders who could be seated at meals all at the same time, so immense was the dining-room. He ate his dinner at a restaurant daily, and expended twenty-five cents for it without blenching. He went to the theatre once a week, and was often accompanied by “lady friends” who were “elegant dressers.”

[Pg 106]

In a moment of wrath Stephen had called him a “counter-jumper,” but it was a libel. So short and rough a means of exit from his place of power was wholly beneath Claude’s dignity. It was with a[Pg 107] “Pardon me, Miss Dix,” that, the noon hour having arrived, he squeezed by that slave and victim, and raising the hinged board that separated his kingdom from that of the ribbon department, passed out of the store, hat in hand, serene in the consciousness that though other clerks might nibble luncheon from a brown paper bag, he would speedily be indulging in an 
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