Four Short Stories By Emile Zola
eyelids and nervously twisting a great diamond ring round his finger. He had quite understood that Nana was in question. Then as Bordenave was drawing a portrait of his new star, which lit a flame in the eyes of the banker, he ended by joining in the conversation. 

 “Oh, let her alone, my dear fellow; she’s a low lot! The public will show her the door in quick time. Steiner, my laddie, you know that my wife is waiting for you in her box.” 

 He wanted to take possession of him again. But Steiner would not quit Bordenave. In front of them a stream of people was crowding and crushing against the ticket office, and there was a din of voices, in the midst of which the name of Nana sounded with all the melodious vivacity of its two syllables. The men who stood planted in front of the notices kept spelling it out loudly; others, in an interrogative tone, uttered it as they passed; while the women, at once restless and smiling, repeated it softly with an air of surprise. Nobody knew Nana. Whence had Nana fallen? And stories and jokes, whispered from ear to ear, went the round of the crowd. The name was a caress in itself; it was a pet name, the very familiarity of which suited every lip. Merely through enunciating it thus, the throng worked itself into a state of gaiety and became highly good natured. A fever of curiosity urged it forward, that kind of Parisian curiosity which is as violent as an access of positive unreason. Everybody wanted to see Nana. A lady had the flounce of her dress torn off; a man lost his hat. 

 “Oh, you’re asking me too many questions about it!” cried Bordenave, whom a score of men were besieging with their queries. “You’re going to see her, and I’m off; they want me.” 

 He disappeared, enchanted at having fired his public. Mignon shrugged his shoulders, reminding Steiner that Rose was awaiting him in order to show him the costume she was about to wear in the first act. 

 “By Jove! There’s Lucy out there, getting down from her carriage,” said La Faloise to Fauchery. 

 It was, in fact, Lucy Stewart, a plain little woman, some forty years old, with a disproportionately long neck, a thin, drawn face, a heavy mouth, but withal of such brightness, such graciousness of manner, that she was really very charming. She was bringing with her Caroline Hequet and her mother—Caroline a woman of a cold type of beauty, the mother a person of a most worthy demeanor, who looked as if she were stuffed with straw. 

 
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