of his nerves.

As, sometimes, in a nightmare events crowd upon each other's heels with a conviction of dreadfulest reality, yet some inconsistent detail accuses the whole display of incompleteness and disguise, so the events that now followed, though they actually happened, persuaded the mind somehow that the detail which could explain them had been overlooked in the confusion, and that therefore they were but partly true, the rest delusion. At the back of the sleeper's mind something remains awake, ready to let slip the judgment. "All this is not quite real; when you wake up you'll understand."

And thus, in a way, it was with Simpson. The events, not wholly inexplicable or incredible in themselves, yet remain for the man who saw and heard them a sequence of separate facts of cold horror, because the little piece that might have made the puzzle clear lay concealed or overlooked.

So far as he can recall, it was a violent movement, running downwards through the tent towards the door, that first woke him and made him aware that his companion was sitting bolt upright beside him—quivering. Hours must have passed, for it was the pale gleam of the dawn that revealed his outline against the canvas. This time the man was not crying; he was quaking like a leaf; the trembling he felt plainly through the blankets down the entire length of his own body. Défago had huddled down against him for protection, shrinking away from something that apparently concealed itself near the door flaps of the little tent.

Simpson thereupon called out in a loud voice some question or other—in the first bewilderment of waking he does not remember exactly what—and the man made no reply. The atmosphere and feeling of true nightmare lay horribly about him, making movement and speech both difficult. At first, indeed, he was not sure where he was—whether in one of the earlier camps, or at home in his bed at Aberdeen. The sense of confusion was very troubling.

And next—almost simultaneous with his waking, it seemed—the profound stillness of the dawn outside was shattered by a most uncommon sound. It came without warning, or audible approach; and it was unspeakably dreadful. It was a voice, Simpson declares, possibly a human voice; hoarse yet plaintive—a soft, roaring voice close outside the tent, overhead rather than upon the ground, of immense volume, while in some strange way most penetratingly and seductively sweet. It rang out, too, in three separate and distinct notes, or cries, that bore in some odd fashion a resemblance, farfetched yet 

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