signe of the Rose and Crowne neere Holborne Bridge. 1590. 4to. 

       The above title-page is pasted into a copy of the FIRST PART OF TAMBURLAINE in the Library at Bridge-water House; which copy, excepting that title-page and the Address to the Readers, is the impression of 1605. I once supposed that the title-pages which bear the dates 1605 and 1606       (see below) had been added to the 4tos of the TWO PARTS of the play originally printed in 1590; but I am now convinced that both PARTS were really reprinted, THE FIRST PART in 1605, and THE SECOND PART in 1606, and that nothing remains of the earlier 4tos, except the title-page and the Address to the Readers, which are preserved in the Bridge- water collection.     

       In the Bodleian Library, Oxford, is an 8vo edition of both PARTS OF TAMBURLAINE, dated 1590: the title-page of THE FIRST PART agrees verbatim with that given above; the half-title-page of THE SECOND PART is as follows;     

   The Second Part of The bloody Conquests of mighty Tamburlaine. With his impassionate fury, for the death of his Lady and loue faire Zenocrate; his fourme of exhortacion and discipline to his three sons, and the   maner of his own death. 

       In the Garrick Collection, British Museum, is an 8vo edition of both PARTS dated 1592: the title-page of THE FIRST PART runs thus;     

   Tamburlaine the Great. Who, from a Scythian Shepheard, by his rare and wonderfull Conquestes, became a most puissant and mightie Mornarch [sic]:  And (for his tyrannie, and terrour in warre) was tearmed, The Scourge of God. The first part of the two Tragicall discourses, as they were sundrie times most stately shewed vpon Stages in the Citie of London. By the right honorable the Lord Admirall, his seruauntes. Now newly published. Printed by Richard Iones, dwelling at the signe of the Rose and Crowne neere Holborne Bridge. 

       The half-title-page of THE SECOND PART agrees exactly with that already given. Perhaps the 8vo at Oxford and that in the British Museum (for I have not had an opportunity of comparing them) are the same impression, differing only in the title-pages.     

       Langbaine (ACCOUNT OF ENGL. DRAM. POETS, p. 344) mentions an 8vo dated 1593.     

       The title-pages of the latest impressions 

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