The ensemble rushed to a climax that shattered like a glass against stone, and was silent. There were applause from the dark café behind. Jurgen could make out each individual in the audience—pitifully few customers to hear such a singer! He applauded firmly, with authority, and continued until the last clap had died behind him; three more decisive claps and he stopped. The band played a few more numbers, standard blues fare and a popular show-tune or two—the young woman sang, standing perfectly still with her eyes closed, alone beneath a spotlight. She bowed at last, arms outstretched with a beautiful smile, and strode into the back. The musicians followed her out to take another break. The pianist lagged behind, following the others to the door, then turned around and sat down at Jurgen's table, pulling his chair close. The man had a few days' growth of beard. He was completely bald—perhaps shaved, Jurgen decided—and his smile revealed one missing tooth and two silver teeth. When he spoke, his voice was deep and bubbly, like a slow pot of soup, simmering. "Don't get many o' yer kind here," he began. Jurgen flushed suddenly and swallowed, feeling a sense of impending panic. He gaped momentarily, unable to think of a reply. Might it be prudent to withdraw? The man sat back and laughed loudly, thrusting his thumbs into his belt. He thrust his head forward suddenly, grinning. "I mean—you play that fiddle or jes set yer elbow on it?" Jurgen felt instantly relieved, and regained his composure. "Certainly I play it," he said, returning the man's smile with some hesitation. "Maybe you'll play somethin' for me? Maybe I'll buy yer drink, too." "Well—I—I've never played much—any—jazz," Jurgen said slowly. "Folk tunes, show-tunes—on rare occasions. I'm a symphony violist, by profession." "Oh," the man answered, wrinkling his brow. "I see. Well, it don' have to be blue—jes wanna see what you got... If it ain't much trouble?" "Alright." Jurgen pulled his viola case toward himself, and scooted his chair back to give himself some room. He opened the case, strummed the strings once to check the instrument's tuning—close enough, he decided. While he rosined his bow he tried to decide where he should start. He settled on a Hungarian folk tune his grandmother used to play for him. It had a homey,