I may here observe, that if I have in no case made her allude to the Virgin Mary, and exhibited the sense of infinite duty and loyalty to Christ alone, as the mainspring of all her noblest deeds, it is merely in accordance with Dietrich’s biography. The omission of all Mariolatry is remarkable. My business is to copy that omission, as I should in the opposite case have copied the introduction of Virgin-worship into the original tale. The business of those who make Mary, to women especially, the complete substitute for the Saviour—I had almost said, for all Three Persons of the Trinity—is to explain, if they can, her non-appearance in this case.

Lewis, again, I have drawn as I found him, possessed of all virtues but those of action; in knowledge, in moral courage, in spiritual attainment, infinitely inferior to his wife, and depending on her to be taught to pray; giving her higher faculties nothing to rest on in himself, and leaving the noblest offices of a husband to be supplied by a spiritual director. He thus becomes a type of the husbands of the Middle Age, and of the woman-worship of chivalry. Woman-worship, ‘the honour due to the weaker vessel,’ is indeed of God, and woe to the nation and to the man in whom it dies. But in the Middle Age, this feeling had no religious root, by which it could connect itself rationally, either with actual wedlock or with the noble yearnings of men’s spirits, and it therefore could not but die down into a semi-sensual dream of female-saint-worship, or fantastic idolatry of mere physical beauty, leaving the women themselves an easy prey to the intellectual allurements of the more educated and subtle priesthood.

In Conrad’s case, again, I have fancied that I discover in the various notices of his life a noble nature warped and blinded by its unnatural exclusions from those family ties through which we first discern or describe God and our relations to Him, and forced to concentrate his whole faculties in the service, not so much of a God of Truth as of a Catholic system. In his character will be found, I hope, some implicit apology for the failings of such truly great men as Dunstan, Becket, and Dominic, and of many more whom, if we hate, we shall never understand, while we shall be but too likely, in our own way, to copy them.

Walter of Varila, a more fictitious character, represents the ‘healthy animalism’ of the Teutonic mind, with its mixture of deep earnestness and hearty merriment. His dislike of priestly sentimentalities is no anachronism. Even in his day, a noble lay-religion, founded on faith in the divine and universal symbolism of humanity and nature, was gradually 

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