publish'd ESSAY has well term'd it) the imagin'd situation ought to be consider'd. And it strikes me as closing with a true and aweful Pathos: not often equall'd. 

 The YORKSHIRE DIP is, I think, the result of that active but melancholy Fancy, which can travel far into views of Life and Nature from a slight occasion. It has a mixture of the Sportive which deepens the impression of it's melancholy Close. I could have wish'd, as I have said in a short Note, the Conclusion had been otherwise. The sours of Life less offend my Taste than its sweets delight it. But when I think what NATHANIEL must have felt in passing through Life, I more respect the Chearfulness and habitual Vigor of his Mind, than I am dispos'd to be out of humor with occasional gloom. 

 LOVE'S TRIUMPH differs as much in manner as in subject from those which precede it. Yet a vein of pensive and philosophic thought flows here also. The SONG OF BALDWIN is well adapted to soothe the fears and the discontents of Poverty: and to convince those who have not learnt it, that wealth, and rank, and power, and unlimited indulgence, are not such Blessings as they are imagin'd to be at a distance: nor Poverty such an Evil, that the first and best Blessings of Nature should be therefore thrown aside in despair. 

 I may doubt on the expediency of the SONG OF BALDWIN being in a different measure; but I can not doubt of the general merit of the Poem. 

 The PROVERBS, like other compositions of this kind, must rest chiefly on their moral Justness, Utility, Simplicity, and Conciseness, rather than on poetic Excellence: though neither in form nor coloring are they deficient of that compos'd and grave Beauty which the Nature of the Subject and Composition admits. 

 MORE BREAD AND CHEESE contains the Principle of the ESSAY ON WAR, and of a celebrated ESSAY ON POPULATION, which I dare say the Author never saw. It is strong, characteristic; and original: and although in the measure of the humorous Ballad, has much nerve and energy6. 

 I have now a Remark to make which relates generally to the Versification. We may observe of HONINGTON GREEN, and most of the Poems in rhyme in this Collection, that they are strongly accentuated: and if red with a close attention to accent and emphasis, the rhythm is musical and energetic; where to a careless Reader it might appear harsh and untuneable. 

 The LYRIC ELEGY which concludes this little Collection is, I think, animated and pathetic in no common degree. On the Merits 

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