the stone where was graven a circle inclosing primitive eyes, a nose, and mouth. From the bottom of the circle on either side protruded wings.

Merle drew near to scan the device. He was able to divine that the intention of the artist had not been one of portraiture.

"That ain't either his picture," he said, heatedly. "That's a cupid!"

"Ho, gee, gosh! Ain't cupids got legs? Where's its legs?"

"Then it's an angel."

"Angels are longer. I know now—it's a goop. And here's some more reading."

He ran his fingers along the worn lettering, then brought his eyes close and read—glibly in the beginning:

Behold this place as you pass by.

As you are now, so once was I.

As I am now, so you must be.

Prepare for death, and follow me.

The reader's voice lost in fullness and certainty as he neared the end of this strophe.

"Say, we better get right out of here," said Merle, stepping toward the fence. Even Wilbur was daunted by the blunt warning from beyond.

"Here's another," called Merle, pausing on his way toward the fence. In hushed, fearful tones he declaimed:

Dear companion in your bloom,

Behold me moldering in the tomb,

For

Death is a debt to Nature due,

Which I have paid, and so must you.

"There, now, I must say!" called Merle. "We better hurry out!"

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