The Jolly Corner
this popping of their corks—just as his gestures of response were the extravagant shadows, emphatic in proportion as they meant little, of some game of ombres chinoises. He projected himself all day, in thought, straight over the bristling line of hard unconscious heads and into the other, the real, the waiting life; the life that, as soon as he had heard behind him the click of his great house-door, began for him, on the jolly corner, as beguilingly as the slow opening bars of some rich music follows the tap of the conductor’s wand.

He always caught the first effect of the steel point of his stick on the old marble of the hall pavement, large black-and-white squares that he remembered as the admiration of his childhood and that had then made in him, as he now saw, for the growth of an early conception of style. This effect was the dim reverberating tinkle as of some far-off bell hung who should say where?—in the depths of the house, of the past, of that mystical other world that might have flourished for him had he not, for weal or woe, abandoned it. On this impression he did ever the same thing; he put his stick noiselessly away in a corner—feeling the place once more in the likeness of some great glass bowl, all precious concave crystal, set delicately humming by the play of a moist finger round its edge. The concave crystal held, as it were, this mystical other world, and the indescribably fine murmur of its rim was the sigh there, the scarce audible pathetic wail to his strained ear, of all the old baffled forsworn possibilities. What he did therefore by this appeal of his hushed presence was to wake them into such measure of ghostly life as they might still enjoy. They were shy, all but unappeasably shy, but they weren’t really sinister; at least they weren’t as he had hitherto felt them—before they had taken the Form he so yearned to make them take, the Form he at moments saw himself in the light of fairly hunting on tiptoe, the points of his evening shoes, from room to room and from storey to storey.

That was the essence of his vision—which was all rank folly, if one would, while he was out of the house and otherwise occupied, but which took on the last verisimilitude as soon as he was placed and posted. He knew what he meant and what he wanted; it was as clear as the figure on a cheque presented in demand for cash. His alter ego “walked”—that was the note of his image of him, while his image of his motive for his own odd pastime was the desire to waylay him and meet him. He roamed, slowly, warily, but all restlessly, he himself did—Mrs. Muldoon had been right, absolutely, with her figure of their “craping”; and the presence he watched for would roam restlessly too. But it would be as 
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