The Street of Seven Stars
       “Beautiful as the stars, only—not so remote.”      

       In their curious bi-lingual talk there was little room for subtlety. The       “beautiful” calmed her, but the second part of the sentence roused her suspicion.     

       “Remote? What is that?”      

       “I was thinking of Worthington.”      

       The name was a signal for war. Stewart repented, but too late.     

       In the cold evening air, to the amusement of a passing detail of soldiers trundling a breadwagon by a rope, Stewart stood on the pavement and dodged verbal brickbats of Viennese idioms and German epithets. He drew his chin into the up-turned collar of his overcoat and waited, an absurdly patient figure, until the hail of consonants had subsided into a rain of tears. Then he took the girl's elbow again and led her, childishly weeping, into a narrow side street beyond the prying ears and eyes of the Alserstrasse.     

       Byrne went back to Harmony. The incident of Stewart and the girl was       closed and he dismissed it instantly. That situation was not his, or of his making. But here in the coffee-house, lovely, alluring, rather puzzled at this moment, was also a situation. For there was a situation. He had suspected it that morning, listening to the delicatessen-seller's narrative of Rosa's account of the disrupted colony across in the old lodge; he had been certain of it that evening, finding Harmony in the dark entrance to his own rather sordid pension. Now, in the bright light of the coffee-house, surmising her poverty, seeing her beauty, the emotional coming and going of her color, her frank loneliness, and God save the       mark!—her trust in him, he accepted the situation and adopted it:       his responsibility, if you please.     

       He straightened under it. He knew the old city fairly well—enough to love it and to loathe it in one breath. He had seen its tragedies and passed them by, or had, in his haphazard way, thrown a greeting to them, or even a glass of native wine. And he knew the musical temperament; the all or nothing of its insistent demands; its heights that are higher than others, its wretchednesses that are hell. Once in the Hofstadt Theater, where he had bought standing room, he had seen a girl he had known 
 Prev. P 22/217 next 
Back Top
Privacy Statement Terms of Service Contact