German greed or Austrian whim. And always back in one's mind the home people, to whom one dares not confess that after nine months of waiting, or a year, one has seen the Master once or not at all.
Or—and one of the Harmar girls had carried back this scar in her soul—to go back rejected, as one of the unfit, on whom even the undermasters refuse to waste time. That has been, and often. Harmony stood on her chair and looked at the trunks. The Big Soprano was calling down the hall.
“Scatch,” she was shouting briskly, “where is my hairbrush?”
A wail from Scatch from behind a closed door.
“I packed it, Heaven knows where! Do you need it really? Haven't you got a comb?”
“As soon as I get something on I'm coming to shake you. Half the teeth are out of my comb. I don't believe you packed it. Look under the bed.”
Silence for a moment, while Scatch obeyed for the next moment.
“Here it is,” she called joyously. “And here are Harmony's bedroom slippers. Oh, Harry, I found your slippers!” The girl got down off the chair and went to the door.
“Thanks, dear,” she said. “I'm coming in a minute.”
She went to the mirror, which had reflected the Empress Maria Theresa, and looked at her eyes. They were still red. Perhaps if she opened the window the air would brighten them.
Armed with the brush, little Scatchett hurried to the Big Soprano's room. She flung the brush on the bed and closed the door. She held her shabby wrapper about her and listened just inside the door. There were no footsteps, only the banging of the gate in the wind. She turned to the Big Soprano, heating a curling iron in the flame of a candle, and held out her hand.
“Look!” she said. “Under my bed! Ten kronen!”
Without a word the Big Soprano put down her curling-iron, and ponderously getting down on her knees, candle in hand, inspected the dusty floor beneath her bed. It revealed nothing but a cigarette, on which she
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