illustrated papers. No character sketch of him had ever been printed. His opinions on any subject had never been telephonically or otherwise demanded by the editors of up-to-date dailies. His news-value indeed was absolutely nil. In Who's Who he had only four lines of space. Mr. Prohack's breakfast consisted of bacon, dry toast, coffee, marmalade, The Times and The Daily Picture. The latter was full of brides and bridegrooms, football, enigmatic murder trials, young women in their fluffy underclothes, medicines, pugilists, cinema stars, the biggest pumpkin of the season, uplift, and inspired prophecy concerning horses and company shares; together with a few brief unillustrated notes about civil war in Ireland, famine in Central Europe, and the collapse of realms. II "Ah! So I've caught you!" said his wife, coming brightly into the room. She was a buxom woman of forty-three. Her black hair was elaborately done for the day, but she wore a roomy peignoir instead of a frock; it was Chinese, in the Imperial yellow, inconceivably embroidered with flora, fauna, and grotesques. She always thus visited her husband at breakfast, picking bits off his plate like a bird, and proving to him that her chief preoccupation was ever his well-being and the satisfaction of his capricious tastes. "Many years ago," said Mr. Prohack. "You make a fuss about buying The Daily Picture for me. You say it humiliates you to see it in the house, and I don't know what. But I catch you reading it yourself, and before you've opened The Times! Dear, dear! That bacon's a cinder and I daren't say anything to her." "Lady," replied Mr. Prohack, "we all have something base in our natures. Sin springs from opportunity. I cannot resist the damned paper." And he stuck his fork into the fair frock-coat of a fatuous bridegroom coming out of church. "My fault again!" the wife remarked brightly. The husband changed the subject: "I suppose that your son and daughter are still asleep?" "Well, dearest, you know that they were both at that dance last night."