Transcribed from the 1914 Methuen and Co. edition by David Price, email ccx074@coventry.ac.uk SELECTED PROSE OF OSCAR WILDE Contents: Preface by Robert Ross How They Struck a Contemporary The Quality of George Meredith Life in the Fallacious Model Life the Disciple Life the Plagiarist The Indispensable East The Influence of the Impressionists on Climate An Exposure to Naturalism Thomas Griffiths Wainewright Wainewright at Hobart Town Cardinal Newman and the Autobiographers Robert Browning The Two Supreme and Highest Arts The Secrets of Immortality The Critic and his Material Dante the Living Guide The Limitations of Genius Wanted A New Background Without Frontiers The Poetry of Archæology The Art of Archæology Herod Suppliant The Tetrarch’s Remorse The Tetrarch’s Treasure Salomé anticipates Dr. Strauss The Young King A Coronation The King of Spain A Bull Fight The Throne Room A Protected Country The Blackmailing of the Emperor Covent Garden A Letter from Miss Jane Percy to her Aunt The Triumph of American ‘Humor’ The Garden of Death An Eton Kit-cat Mrs. Erlynne Exercises the Prerogative of a Grandmother Motherhood more than Marriage The Damnable Ideal From a Rejected Prize-essay The Possibilities of the Useful The Artist The Doer of Good The Disciple The Master The House of Judgment The Teacher of Wisdom Wilde gives directions about ‘De Profundis’ Carey Street Sorrow wears no mask Vita Nuova The Grand Romantic Clapham Junction The Broken Resolution Domesticity at Berneval A visit to the Pope DEDICATION This anthology is dedicated to Michael Lykiardopulos as a little token of his services to English Literature in the great Russian Empire. PREFACE With the possible exceptions of the Greek Anthology, the “Golden Treasury” and those which bear the name of E. V. Lucas, no selections of poetry or prose have ever given complete satisfaction to anyone except the compiler. But critics derive great satisfaction from pointing out errors of omission and inclusion on the part of the anthologist, and all of us have putatively re-arranged and re-edited even the “Golden Treasury” in our leisure moments. In an age when “Art for Art’s sake” is an exploded doctrine, anthologies, like everything else, must have a purpose. The purpose or object of the present volume is to afford admirers of Wilde’s work the same innocent pleasure obtainable from similar compilations, namely that of reconstructing a selection of their own in their mind’s
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