of the remote past.

The two most notable of these, the Iliad and the Odyssey, are believed to have been transmitted from generation to generation, orally, by the minstrels and minnisingers, until the introduction or inception of the Greek alphabet, when they were reduced to parchment, and, surviving all the vicissitudes of time and sequent political and religious change, still occupy a prominent place in literature.

The Book of Job, generally accepted as the most ancient of writings, now extant, whether sacred or secular, was doubtless originally a primitive though sublime poetical effusion.

The prose works contemporaneous with Chaucer, Spencer, and even with that most wonderful of literary epochs, the Elizabethan age, are now practically obsolete, while the poetical efforts remain in some instances with increased prominence.

Someone, (although just who is difficult to determine,—though it savors of the Greek School of Philosophy,—)has delivered the following injunction: "Do right because it is right, not from fear of punishment or hope of reward." Waiving the question as to whether it is right or not to compose poetry, he who aspires in that direction can reasonably expect no material recompense, though the experience of Dante, Cervantes, Leigh Hunt, and others, proves conclusively that poets do not always escape punishment. In fact, about the only emolument to be expected is the gratification of an inherent and indefinable impulse, which impels one to the task with equal force, whether the ultimate result be affluence or a dungeon.

The author of this unpretentious volume has long questioned the advisability of adding a book to our already inflated and overloaded literature, unless it should contain something in the nature of a deviation from beaten literary paths.

Whether the reading public will regard this as such or not is a question for the future to determine, as every book is a creature of circumstance, and at the date of its publication an algebraic unknown quantity.

It was not the original intention of the author to publish any of his effusions in collective form until more mature years and riper judgment should better qualify him for the task of composition, and should enable him to still further pursue the important studies of etymology, rhetoric, Latin and Greek, and complete the education which youthful environment denied.

On the 17th of March, A.D. 1900, occurred an accident in the form of a 

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