The End of the World: A Love Story
By the time August reached Andrew Anderson's castle it was dark. The castle was built in a hollow, looking out toward the Ohio River, a river that has this peculiarity, that it is all beautiful, from Pittsburgh to Cairo. Through the trees, on which the buds were just bursting, August looked out on the golden roadway made by the moonbeams on the river. And into the tumult of his feelings there came the sweet benediction of Nature. And what is Nature but the voice of God?

Anderson's castle was a large log building of strange construction. Everything about it had been built by the hands of Andrew, at once its lord and its architect. Evidently a whimsical fancy had pleased itself in the construction. It was an attempt to realize something of medieval form in logs. There were buttresses and antique windows, and by an ingenious transformation the chimney, usually such a disfigurement to a log-house, was made to look like a round donjon keep. But it was strangely composite, and I am afraid Mr. Ruskin would have considered it somewhat confused; for while it looked like a rude castle to those who approached it from the hills, it looked like something very different to those who approached the front, for upon that side was a portico with massive Doric columns, which were nothing more nor less than maple logs. Andrew maintained that the natural form of the trunk of a tree was the ideal and perfect form of a pillar.

To this picturesque structure, half castle, half cabin, with hints of church and temple, came August Wehle on Saturday evening. He did not go round to the portico and knock at the front-door as a stranger would have done, but in behind the donjon chimney he pulled an alarm-cord. Immediately the head of Andrew Anderson was thrust out of a Gothic hole--you could not call it a window. His uncut hair, rather darker than auburn, fell down to his waist, and his shaggy red beard lay upon his bosom. Instead of a coat he wore that unique garment of linsey-woolsey known in the West as wa'mus (warm us?), a sort of over-shirt. He was forty-five, but there were streaks of gray in his hair and board, and he looked older by ten years.

"What ho, good friend? Is that you?" he cried. "Come up, and right welcome!" For his language was as archaic and perhaps as incongruous as his architecture. And then throwing out of the window a rope-ladder, he called out again, "Ascend! ascend! my brave young friend!"

And young Wehle climbed up the ladder into the large upper room. For it was one peculiarity of the castle that the upper part had no visible communication with the lower. Except 
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