Max
of the head was determined, and, crossing the road, he turned to the left, gazing up with eager interest at the many hotels that rub shoulders in that uninteresting region.

One after the other he reviewed and rejected them, moving onward with the excitement that is born of absolute uncertainty. Onward he went, without pause, until the pavement was intersected by a side-street, and peering up through the misty light he read the legend, "rue de Dunkerque."

Rue de Dunkerque! It conveyed nothing to his mind. But was he not seeking the unknown? Again his head went up, again his shoulders stiffened, and, smiling to himself at some secret thought, he swung round the corner and plunged into the unexplored.

Halfway down the rue de Dunkerque stands the Hôtel Railleux. It is a tall and narrow house, somewhat dirty and entirely undistinguished; there is nothing to recommend it save perhaps an air of privacy, a certain insignificance that wedges it between the surrounding buildings in a manner tempting to one anxious to avoid his fellows.

This quality it was that caught the boy's attention. He paused and studied the Hôtel Railleux with attention that he had denied to the large and common hostelries that front the station. He looked at it long and meditatively, then very slowly and thoughtfully he walked to the end of the street. At the end of the street he turned, his mind made up, and, hurrying back, went straight into the hall of the hotel as though thirsting to pledge himself irrevocably to his decision.

It is impossible for the sensible individual to see romance in this entry into a third-rate Parisian hotel--to see daring or to see danger--but the boy's heart was beating fast as the glass door swung behind him, and his tongue was dry as he stepped into the little office on the right of the poor hall.

Here in the office the story of the streets was repeated. A dingy gas-jet shed a faint light, as though reluctantly awake; behind a small partition, half counter, half desk, a wan and sleepy-looking man was cowering over a stove. As the boy entered, he looked up uncertainly, then he rose and smiled, for your Parisian is exhausted indeed when he fails to conjure up a smile.

"Good-day, monsieur!"

The words were a travesty in view of the miserable dawn, but the boy took heart. There was greeting in the tone. He moistened his lips, which felt dry as his tongue in his momentary nervousness, then he 
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