some faulty and unfortunate reason familiarised the American public. Instead of this, Mr. Britling was in a miscellaneous costume, and mildness was the last quality one could attribute to him. His moustache, his hair, his eyebrows bristled; his flaming freckled face seemed about to bristle too. His little hazel eyes came out with a "ping" and looked at Mr. Direck. Mr. Britling was one of a large but still remarkable class of people who seem at the mere approach of photography to change their hair, their clothes, their moral natures. No photographer had ever caught a hint of his essential Britlingness and bristlingness. Only the camera could ever induce Mr. Britling to brush his hair, and for the camera alone did he reserve that expression of submissive martyrdom Mr. Direck knew. And Mr. Direck was altogether unprepared for a certain casualness of costume that sometimes overtook Mr. Britling. He was wearing now a very old blue flannel blazer, no hat, and a pair of knickerbockers, not tweed breeches but tweed knickerbockers of a remarkable bagginess, and made of one of those virtuous socialistic homespun tweeds that drag out into woolly knots and strings wherever there is attrition. His stockings were worsted and wrinkled, and on his feet were those extraordinary slippers of bright-coloured bast-like interwoven material one buys in the north of France. These were purple with a touch of green. He had, in fact, thought of the necessity of meeting Mr. Direck at the station at the very last moment, and had come away from his study in the clothes that had happened to him when he got up. His face wore the amiable expression of a wire-haired terrier disposed to be friendly, and it struck Mr. Direck that for a man of his real intellectual distinction Mr. Britling was unusually short.

For there can be no denying that Mr. Britling was, in a sense, distinguished. The hero and subject of this novel was at its very beginning a distinguished man. He was in the Who's Who of two continents. In the last few years he had grown with some rapidity into a writer recognised and welcomed by the more cultivated sections of the American public, and even known to a select circle of British readers. To his American discoverers he had first appeared as an essayist, a serious essayist who wrote about aesthetics and Oriental thought and national character and poets and painting. He had come through America some years ago as one of those Kahn scholars, those promising writers and intelligent men endowed by Auguste Kahn of Paris, who go about the world nowadays in comfort and consideration as the travelling guests of that original philanthropist—to acquire the international spirit. Previously he had been a critic of art and 

 Prev. P 7/346 next