and that noisy monstrosity the Elevated Railroad, having no intellectual interests, no art interests, no interest in anything not immediately connected with dollars, it was a city to dwell in and make money in, but hardly a city to live in. The millionaires were building white-marble palaces, taxing the ingenuity and the originality of the native architects, and thus to some extent relieving the general ugliness and drab commonplaceness, while the merchant princes had begun to invade the lower end of the avenue with handsome shops. But in spite of all this, in spite of its pretty girls—and Jefferson insisted that in this one important particular New York had no peer—in spite of its comfortable theatres and its wicked Tenderloin, and its Rialto made so brilliant at night by thousands of elaborate electric signs, New York still had the subdued air of a provincial town, compared with the exuberant gaiety, the multiple attractions, the beauties, natural and artificial, of cosmopolitan Paris.

The boulevards were crowded, as usual at that hour, and the crush of both vehicles and pedestrians was so great as to permit of only a snail-like progress. The clumsy three-horse omnibuses—Madeleine-Bastille—crowded inside and out with passengers and with their neatly uniformed drivers and conductors, so different in appearance and manner from our own slovenly street-car rowdies, were endeavouring to breast a perfect sea of fiacres which, like a swarm of mosquitoes, appeared to be trying to go in every direction at once, their drivers vociferating torrents of vituperous abuse on every man, woman or beast unfortunate enough to get in their way. As a dispenser of unspeakable profanity, the Paris cocher has no equal. He is unique, no one can approach him. He also enjoys the reputation of being the worst driver in the world. If there is any possible way in which he can run down a pedestrian or crash into another vehicle he will do it, probably for the only reason that it gives him another opportunity to display his choice stock of picturesque expletives.

But it was a lively, good-natured crowd and the fashionably gowned women and the well-dressed men, the fakirs hoarsely crying their catch-penny devices, the noble boulevards lined as far as the eye could reach with trees in full foliage, the magnificent Opera House with its gilded dome glistening in the warm sunshine of a June afternoon, the broad avenue directly opposite, leading in a splendid straight line to the famous Palais Royal, the almost dazzling whiteness of the houses and monuments, the remarkable cleanliness and excellent condition of the sidewalks and streets, the gaiety and richness of the shops and 

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