delicate proportions. This face, not unlike the type which Girodet has given to the dying young Turk, in the “Revolt at Cairo,” was instinct with that melancholy by which all women are more or less duped.     

       The Marquis de Montefiore possessed an entailed property, but his income was mortgaged for a number of years to pay off the costs of certain Italian escapades which are inconceivable in Paris. He had ruined himself in supporting a theatre at Milan in order to force upon a public a very inferior prima donna, whom he was said to love madly. A fine future was therefore before him, and he did not care to risk it for the paltry distinction of a bit of red ribbon. He was not a brave man, but he was certainly a philosopher; and he had precedents, if we may use so parliamentary an expression. Did not Philip the Second register a vow after the battle of Saint Quentin that never again would he put himself under fire? And did not the Duke of Alba encourage him in thinking that the worst trade in the world was the involuntary exchange of a crown for a bullet? Hence, Montefiore was Philippiste in his capacity of rich marquis and handsome man; and in other respects also he was quite as profound a politician as Philip the Second himself. He consoled himself for his nickname, and for the disesteem of the regiment by thinking that his comrades were blackguards, whose opinion would never be of any consequence to him if by chance they survived the present war, which seemed to be one of extermination. He relied on his face to win him promotion; he saw himself made colonel by feminine influence and a carefully managed transition from captain of equipment to orderly officer, and from orderly officer to aide-de-camp on the staff of some easy-going marshal. By that time, he reflected, he should come into his property of a hundred thousand scudi a year, some journal would speak of him as “the brave Montefiore,”        he would marry a girl of rank, and no one would dare to dispute his courage or verify his wounds.     

       Captain Montefiore had one friend in the person of the quartermaster,       —a Provencal, born in the neighborhood of Nice, whose name was Diard. A friend, whether at the galleys or in the garret of an artist, consoles for many troubles. Now Montefiore and Diard were two philosophers, who consoled each other for their present lives by the study of vice, as artists soothe the immediate disappointment of their hopes by the expectation of future fame. Both 

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