walking among the olives. He had gone (straight from his bed, and in perhaps the least considered of toilets: an old frieze ulster, ornamented with big buttons of mother-of-pearl, a pair of Turkish slippers, a bathing-towel over his shoulder, and for head-covering just his uncombed native thatch) he had gone for a swim, some half a mile upstream, to a place he knew where the Rampio—the madcap Rampio, all shallows and rapids—rests for a moment in a pool, wide and deep, translucent, inviting, and, as you perceive when you have made your plunge, of a most assertive chill. Now he was on his leisurely way home, to the presbytery and what passed there for breakfast.

The hill-side rose from the river's bank in a series of irregular terraces, upheld by rough stone walls. The gnarled old trees bent towards each other and away like dwarfs and crook-backs dancing a fantastic minuet; and in the grass beneath them, where the sun shot his fiery darts and cast his net of shadows, Chloris had scattered innumerable wildflowers: hyacinths, the colour of the sky; violets, that threaded the air for yards about with their sentiment-provoking fragrance; tulips, red and yellow; sometimes a tall, imperial iris; here and there little white nodding companies of jonquils. Here and there, too, the dusty-green reaches were pointed by the dark spire of a cypress, alone, in a kind of glooming isolation; here and there a blossoming peach or almond, gaily pink, sent an inexpressible little thrill of gladness to one's heart. The air was sweetened by many incense-breathing things besides the violets,—by moss and bark, the dew-laden grass, the moist brown earth; and it was quick with music: bees droned, leaves whispered, birds called, sang, gossiped, disputed, and the Rampio played a crystal accompaniment.

John swung onwards at ease, while lizards, with tails that seemed extravagantly long, fled from before his feet, terrible to them, no doubt, as an army with banners, for his Turkish slippers, though not in their pristine youth, were of scarlet leather embroidered in a rich device with gold. And presently (an experience unusual at that hour in the olive wood) he became aware of a human voice.

"Ohé! My good men, there! Will you be so kind as to gather me some of those anemones? Here is a lira for your pains."

It was a feminine voice; it was youthful and melodious; it was finished, polished, delicately modulated. And its inflection was at once confident and gracious,—clearly the speaker took it for granted that she would receive attention, and she implied her thanks abundantly beforehand. It was a voice that 

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