places you are welcomed and sped on by a chorus of bird-songs. The hillsides resound with bird-songs continuously for the whole seven miles,—and continuously, at this season, for the whole four-and-twenty hours. Blackbirds, thrushes, blackcaps, goldfinches, chaffinches, sing from the first peep of dawn till the last trace of daylight has died out, and then the nightingales begin and keep it up till dawn again. And everywhere the soft air is aromatic with a faint scent of rosemary, for rosemary grows everywhere under the trees. And everywhere you have the purity and brilliancy and yet restraint of colour, and the crisp economy of line, which give the Italian landscape its look of having been designed by a conscious artist.

In and through his enjoyment of all these pleasantnesses, John felt that agreeable glow which he owed to his glimpse of the woman in the garden; and when at last he reached the Hotel Victoria, and, having dressed, found himself alone for a few moments with Lady Blanchemain, in the dim and cool sitting-room where she awaited her guests, he hastened to let her know that he shared her own opinion of the woman's charms.

"Your beauty decidedly is a beauty," he declared. "I wish you could have seen her as I saw her an hour ago, with a white sunshade, against a background of ilexes. It's a thousand pities that painting should be a forgotten art."

But Lady Blanchemain (magnificent in purple velvet, with diamonds round her throat and in her hair) didn't seem interested.

"Do you know," she said, "I made yesterday one of the most ridiculous blunders of my life. It's been preying upon my mind ever since. I generally have pretty trustworthy perceptions, and perhaps this is a symptom of failing powers. I told myself positively that you were an Eton and Balliol man. It never occurred to me till I was halfway home that, as a Papist, you'd be nothing of the sort."

"No," said John; "I'm afraid I'm Edgbaston and Paris. The way her hair grows low about her brow, and swoops upwards and backwards in a sort of tidal wave, and breaks loose in little curling tendrils,—it's absolutely lyrical. And the smile at the bottom of her eyes is exactly like silent music. And her mouth is a couplet in praise of love, with two red lips for rhymes. And her chin is a perfect epithalamium of a chin. And then her figure! And then her lilac frock! Oh, it's a thousand, thousand pities that painting should he a forgotten art."

"What, the same lilac frock?" said Lady Blanchemain, absently. "Yet you certainly have the Eton voice," 

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