spontaneous apology notwithstanding) I won't vouch that the answer at the tip of her impulsive tongue mightn't have proved a hasty one—but the speaker's appearance gave her pause: the appearance of the tall, smiling, unmistakably English young man, by whom Shoulder-knots had returned accompanied, and who now, having pushed the grille ajar and issued forth, stood, placing himself with a tentative obeisance at her service, beside the carriage: he was so clearly, first of all—what, if it hadn't been for her preoccupation, his voice, tone, accent would have warned her to expect—so visibly a gentleman; and then, with the even pink of his complexion, his yellowish hair and beard, his alert, friendly, very blue blue eyes—with his very blue blue flannels too, and his brick-red knitted tie—he was so vivid and so unusual. His appearance gave her a pause; and in the result she in her turn almost apologized. "This wretched book," she explained, pathetically bringing forward her pièce justificative, "said that it was open to the public." The vivid young man hastened to put her in the right. "It is—it is," he eagerly affirmed. "Only," he added, with a vaguely rueful modulation, and always with that amiable abruptness, as a man very much at his ease, while his blue eyes whimsically brightened, "only the blessed public never comes—we're so off the beaten path. And I suppose one mustn't expect a Scioccone"—his voice swelled on the word, and he cast sidelong a scathing glance at his summoner—"to cope with unprecedented situations. Will you allow me to help you out?" "Ah," thought Lady Blanchemain, "Eton," his tone and accent now nicely appraised by an experienced ear. "Eton—yes; and probably—h'm? Probably Balliol," her experience led her further to surmise. But what—with her insatiable curiosity about people, she had of course immediately begun to wonder—what was an Eton and Balliol man doing, apparently in a position of authority, at this remote Italian castle? V He helped her out, very gracefully, very gallantly; and under his guidance she made the tour of the vast building: its greater court and lesser court; its cloisters, with their faded frescoes, and their marvellous outlook, northwards, upon the Alps; its immense rotunda, springing to the open dome, where the sky was like an inset plaque of turquoise; its "staircase of honour," guarded, in an ascending file, by statues of men in armour; and then, on the piano nobile, its