many years had been untouched. She tries to scream again but a choking sensation comes over her, and she cannot. It is too dreadful--she tries to move--each limb seems weighed down by tons of lead--she can but in a hoarse faint whisper cry,--"Help--help--help--help!" And that one word she repeats like a person in a dream. The red glare of the fire continues. It throws up the tall gaunt figure in hideous relief against the long window. It shows, too, upon the one portrait that is in the chamber, and that portrait appears to fix its eyes upon the attempting intruder, while the flickering light from the fire makes it look fearfully life-like. A small pane of glass is broken, and the form from without introduces a long gaunt hand, which seems utterly destitute of flesh. The fastening is removed, and one-half of the window, which opens like folding doors, is swung wide open upon its hinges. And yet now she could not scream--she could not move. "Help!--help!--help!" was all she could say. But, oh, that look of terror that sat upon her face, it was dreadful--a look to haunt the memory for a lifetime--a look to obtrude itself upon the happiest moments, and turn them to bitterness. The figure turns half round, and the light falls upon the face. It is perfectly white--perfectly bloodless. The eyes look like polished tin; the lips are drawn back, and the principal feature next to those dreadful eyes is the teeth--the fearful looking teeth--projecting like those of some wild animal, hideously, glaringly white, and fang-like. It approaches the bed with a strange, gliding movement. It clashes together the long nails that literally appear to hang from the finger ends. No sound comes from its lips. Is she going mad--that young and beautiful girl exposed to so much terror? she has drawn up all her limbs; she cannot even now say help. The power of articulation is gone, but the power of movement has returned to her; she can draw herself slowly along to the other side of the bed from that toward which the hideous appearance is coming. But her eyes are fascinated. The glance of a serpent could not have produced a greater effect upon her than did the fixed gaze of those awful, metallic-looking eyes that were bent on her face. Crouching down so that the gigantic height was lost, and the horrible, protruding, white face was the most prominent object, came on the figure. What was it?--what did it want there?--what made it look so hideous--so unlike an inhabitant of the earth, and yet to be on it? Now she has got to the verge of the bed,