The Four Horsemen of the Apocalypse
and parasite, the poor comrade, complacent and capable in his companionship with a rich youth on bad terms with his family, sharing with him the ups and downs of fortune, picking up the crumbs of prosperous days, or inventing expedients to keep up appearances in the hours of poverty.     

       “What about the war?” Argensola had asked him before inquiring about the result of his trip. “You have come a long ways and should know much.”      

       Soon he was sound asleep in his dear old bed while his “secretary” was pacing up and down the studio talking of Servia, Russia and the Kaiser. This youth, too, skeptical as he generally was about everything not connected with his own interests, appeared infected by the general excitement.     

       When Desnoyers awoke he found her note awaiting him, setting their meeting at five that afternoon and also containing a few words about the threatened danger which was claiming the attention of all Paris. Upon going out in search of lunch the concierge, on the pretext of welcoming him back, had asked him the war news. And in the restaurant, the cafe and the street, always war . . . the possibility of war with Germany. . . .     

       Julio was an optimist. What did all this restlessness signify to a man who had just been living more than twenty days among Germans, crossing the Atlantic under the flag of the Empire?     

       He had sailed from Buenos Aires in a steamer of the Hamburg line, the Koenig Frederic August. The world was in blessed tranquillity when the boat left port. Only the whites and half-breeds of Mexico were exterminating each other in conflicts in order that nobody might believe that man is an animal degenerated by peace. On the rest of the planet, the people were displaying unusual prudence. Even aboard the transatlantic liner, the little world of passengers of most diverse nationalities appeared a fragment of future society implanted by way of experiment in modern times—a sketch of the hereafter, without frontiers or race antagonisms.     

       One morning the ship band which every Sunday had sounded the Choral of Luther, awoke those sleeping in the first-class cabins with the most unheard-of serenade. Desnoyers rubbed his eyes believing himself under the hallucinations of a dream. The German horns were playing the Marseillaise    
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