The Four Horsemen of the Apocalypse
     Senator Lacour, who twice had been Minister of State, and was now vegetating in the senate, silent during its sessions, but restless and voluble in the corridors in order to maintain his influence. He was a prominent figure of the republican nobility, an aristocrat of the new regime that had sprung from the agitations of the Revolution, just as the titled nobility had won their spurs in the Crusades. His great-grandfather had belonged to the Convention. His father had figured in the Republic of 1848. He, as the son of an exile who had died in banishment, had when very young marched behind the grandiloquent figure of Gambetta, and always       spoke in glowing terms of the Master, in the hope that some of his rays might be reflected on his disciple. His son Rene, a pupil of the Ecole Centrale regarded his father as “a rare old sport,” laughing a little at his romantic and humanitarian republicanism. He, nevertheless, was counting much on that same official protection treasured by four generations of Lacours dedicated to the service of the Republic, to assist him when he became an engineer.     

       Don Marcelo who used to look uneasily upon any new friendship, fearing a demand for a loan, gave himself up with enthusiasm to intimacy with this       “grand man.” The personage admired riches and recognized, besides, a certain genius in this millionaire from the other side of the sea accustomed to speaking of limitless pastures and immense herds. Their intercourse was more than the mere friendliness of a country neighborhood, and continued on after their return to Paris. Finally Rene visited the home on the avenida Victor Hugo as though it were his own.     

       The only disappointments in Desnoyers’ new life came from his children. Chichi irritated him because of the independence of her tastes. She did not like antiques, no matter how substantial and magnificent they might be, much preferring the frivolities of the latest fashion. She accepted all her father’s gifts with great indifference. Before an exquisite blonde piece of lace, centuries old, picked up at auction, she made a wry face, saying, “I would much rather have had a new dress costing three hundred francs.” She and her brother were solidly opposed to everything old.     

       Now that his daughter was already a woman, he had confided her absolutely to the care of Dona Luisa. But the former “Peoncito” was not showing much respect for the advice and commands of the good 
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