The Four Horsemen of the Apocalypse
surpass Julio in the quick slap and the ready card. His father heard with a heavy heart the news brought him by some friends thinking to flatter his vanity—his son was always victorious in these gentlemanly encounters; he it was who always scratched the enemy’s skin. The painter knew more about fencing than art. He was a champion with various weapons; he could box, and was even skilled in the favorite blows of the prize fighters of the slums.       “Useless as a drone, and as dangerous, too,” fretted his father. And yet in the back of his troubled mind fluttered an irresistible satisfaction—an animal pride in the thought that this hare-brained terror was his own.     

       For a while, he thought that he had hit upon a way of withdrawing his son from such an existence. The relatives in Berlin had visited the Desnoyers in their castle of Villeblanche. With good-natured superiority, Karl von Hartrott had appreciated the rich and rather absurd accumulations of his brother-in-law. They were not bad; he admitted that they gave a certain cachet to the home in Paris and to the castle. They smacked of the possessions of titled nobility. But Germany! . . . The comforts and luxuries in his country! . . . He just wished his brother-in-law to admire       the way he lived and the noble friendships that embellished his opulence. And so he insisted in his letters that the Desnoyers family should return their visit. This change of environment might tone Julio down a little. Perhaps his ambition might waken on seeing the diligence of his cousins, each with a career. The Frenchman had, besides, an underlying belief in the more corrupt influence of Paris as compared with the purity of the customs in Patriarchal Germany.     

       They were there four months. In a little while Desnoyers felt ready to retreat. Each to his own kind; he would never be able to understand such people. Exceedingly amiable, with an abject amiability and evident desire to please, but constantly blundering through a tactless desire to make their grandeur felt. The high-toned friends of Hartrott emphasized their love for France, but it was the pious love that a weak and mischievous child inspires, needing protection. And they would accompany their affability with all manner of inopportune memories of the wars in which France had been conquered. Everything in Germany—a monument, a railroad station, a simple dining-room device, instantly gave rise to glorious comparisons. “In France, you do not have this,” “Of course, 
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