Idle Hour Stories
tied a little blue silk handkerchief around my neck for a keepsake. 'There,' she said, in her quick voice, 'you may go.' I did many other patterns for the family, but poor lady! she never saw me again. She had an illness and lost her eyesight. She was stone blind for many years. I have the keepsake yet. It is put away in the hair-trunk." 

 The sisters were all in full sympathy, as usual. Thus I sat and listened scores of times, making a pretence of wanting a pattern,—anything to get Miss Chrissy story-telling. 

 In the centennial year I found "The Pears" much shaken from their even tenor. The relic-hunters had penetrated their omnium gatherum and offered fabulous sums for the quaint old bits they found there. One of them declared he must and would have these wonders for the New England Kitchen. But the sisters were  [pg 20]                                 outraged. Adroitly I managed to hint a desire to see those treasures inestimable, and then for the first time I moved from my accustomed seat, and they moved from theirs. The magnitude of their wrongs would admit of nothing like routine or monotony. The chairs were pushed back, and I saw five tall, slim figures standing erect, in straight black gowns, white kerchiefs and spotless caps. They were devout Lutherans, and their pew at the Sunday service was never vacant; but I had never seen them outside the workshop. 

[pg 20]

 We filed into the funny little chambers where were the high beds, with their steps to be climbed. What a wilderness of feathers and patchwork! Some of Miss Becky's work was there. The bureaus nearly to ceilings, ornamented with round glass knobs, had their little mirrors perched up above my head. The candle stands, with spindle legs, wore an antediluvian look, and the chairs were just as queer. The more aspiring ones were prim in starched antimaccassars. Even the footstools belonged to a prehistoric age. There was nothing costly or elegant, but so very ancient and even comical, I had never seen anything like it, anywhere. A few oil-paintings, hung in the very border of the huge-figured paper, were small, but evidently fine. 

 [pg 21] 

[pg 21]

 "These things were brought from Alsace," explained Miss Chrissy, as I commented freely. "Elsace is the way to call it—and we can't bear to have strangers meddling with what is sacred to us." 

 "Sacred to us," came from the procession behind. 


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