The Man with the Clubfoot
the overcoat pockets. A bag, in size something between a small kit-bag and a large handbag, stood open on the table. It contained a few toilet necessaries, a pair of pyjamas, a clean shirt, a pair of slippers, ... nothing of importance and not a scrap of paper of any kind.

I went through everything again, looked in the sponge bag, opened the safety razor case, shook out the shirt, and finally took everything out of the bag and stacked the things on the table. At the bottom of the bag I made a strange discovery. The interior of the bag was fitted with that thin yellow canvas-like material with which nearly all cheap bags, like this one was, are lined. At the bottom of the bag an oblong piece of the lining had apparently been torn clean out. The leather of the bag showed through the slit. Yet the lining round the edges of the gap showed no fraying, no trace of rough usage. On the contrary, the edges were pasted neatly down on the leather.

I lifted the bag and examined it. As I did so I saw lying on the table beside it an oblong of yellow canvas. I picked it up and found the under side stained with paste and the brown of the leather. It was the missing piece of lining and it was stiff with something that crackled inside it.

I slit the piece of canvas up one side with my penknife. It contained three long fragments of paper, a thick, expensive, highly glazed paper. Top, bottom and left-hand side of each was trim and glossy: the fourth side showed a broken edge as though it had been roughly cut with a knife. The three slips of paper were the halves of three quarto sheets of writing, torn in two, lengthways, from top to bottom. At the top of each slip was part of some kind of crest in gold, what, it was not possible to determine, for the crest had been in the centre of the sheet and the cut had gone right through it. The letter was written in English but the name of the recipient as also the date was on the missing half.

Somewhere in the silence of the night I heard a door bang. I thrust the slips of paper in their canvas covering into my trousers pocket. I must not be found in that room. With trembling hands I started to put the things back in the bag. Those slips of paper, I reflected as I worked, at least rent the veil of mystery enveloping the corpse that lay stiffening in the next room. This, at any rate, was certain: German or American or hyphenate, Henry Semlin, manufacturer and spy, had voyaged from America to England not for the purposes of trade but to get hold of that mutilated document now reposing in my pocket. Why he had only got half the letter and what had happened to the other half was more 
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