inhospitably against the wall as if to prevent anybody from sitting in them—was covered with a shrouding pall of dust. 

 The hall was cross-shaped, the side passage running between the back drawing-room and library on one side, and the dining-room and two locked rooms on the other. It was a nice place, that side passage, with a fireplace and settles; and beautiful windows opening upon the tangled garden. All the down-stairs walls were paneled: precious woods were not so hard to come by when Hynds House was built. It was lovely, of course, but depressingly dark. 

 We got one of the big windows open, and let some stale damp air out and some fresh damp air in. Then, having despatched our hackman for certain necessities, Alicia and I turned and stared at each other, another Alicia and Sophy staring back at us from a dim and dusty mirror opposite. If, at that moment, I could have heard the familiar buzzer at my elbow! If I could have heard the good everyday New York "Miss Smith, attend to this, please"! God wot, if I had not literally burned my bridges behind me—Oh, oh, I had! 

 "The garden around this house,"—Alicia spoke in a whisper—"stretches to the end of the world and then laps over. It hasn't been trimmed since Adam and Eve moved out. But those crape-myrtle trees are quite the loveliest things left over from Paradise, and I'm glad we came here to see them with our own eyes! Brace up, Sophy! We'll feel heaps better when we've had something to eat. Aren't you frightfully hungry, and doesn't a chill suspicion strike you, somewhere around the wishbone, that if that Ancient Mariner of a hackman doesn't get back soon we shall starve?" 

 At that moment, from somewhere—it seemed to us from up-stairs—a sudden flood of sweetest sound poured goldenly through that sad, dim, dusty house, as if a blithe spirit had slipped in unawares and was bidding us welcome. For a few wonderful moments the exquisite music filled the dark old place and banished gloom and neglect and decay; then, with a pattering scamper, as of the bare, rosy feet of a beloved and mischievous child making a rush for his crib, it went as suddenly as it had come. There was nothing to break the silence but the swishing downpour of the outside rain. 

 When I could speak: "It came from up-stairs! Somebody's playing a violin up-stairs. I'm going up-stairs to find out who it is." 

 Alicia demurred: "It may be a real person, Sophy!—a real person with a real violin. But I'd rather believe it's Ariel's self, come out of 

 Prev. P 11/196 next