did he sing, and where abide?

Chief of song where poets feast Is the wind-harp which thou seest In the casement at my side.

Æolian harp, How strangely wise thy strain! Gay for youth, gay for youth, (Sweet is art, but sweeter truth,) In the hall at summer eve Fate and Beauty skilled to weave. From the eager opening strings Rung loud and bold the song. Who but loved the wind-harp’s note? How should not the poet doat On its mystic tongue, With its primeval memory, Reporting what old minstrels said Of Merlin locked the harp within,— Merlin paying the pain of sin, Pent in a dungeon made of air,— And some attain his voice to hear, Words of pain and cries of fear, But pillowed all on melody, As fits the griefs of bards to be. And what if that all-echoing shell, Which thus the buried Past can tell, Should rive the Future, and reveal What his dread folds would fain conceal? It shares the secret of the earth, And of the kinds that owe her birth. Speaks not of self that mystic tone, But of the Overgods alone: It trembles to the cosmic breath,— As it heareth, so it saith; Obeying meek the primal Cause, It is the tongue of mundane laws: And this, at least, I dare affirm, Since genius too has bound and term, There is no bard in all the choir, Not Homer’s self, the poet sire, Wise Milton’s odes of pensive pleasure, Or Shakspeare, whom no mind can measure, Nor Collins’ verse of tender pain, Nor Byron’s clarion of disdain, Scott, the delight of generous boys, Or Wordsworth, Pan’s recording voice,— Not one of all can put in verse, Or to this presence could rehearse, The sights and voices ravishing The boy knew on the hills in Spring, When pacing through the oaks he heard Sharp queries of the sentry-bird, The heavy grouse’s sudden whirr, The rattle of the kingfisher; Saw bonfires of the harlot flies In the lowland, when day dies; Or marked, benighted and forlorn, The first far signal-fire of morn. These syllables that Nature spoke, And the thoughts that in him woke, Can adequately utter none Save to his ear the wind-harp lone. And best can teach its Delphian chord How Nature to the soul is moored, If once again that silent string, As erst it wont, would thrill and ring.

Not long ago, at eventide, It seemed, so listening, at my side A window rose, and, to say sooth, I looked forth on the fields of youth: I saw fair boys bestriding steeds, I knew their forms in fancy weeds, Long, long concealed by sundering fates, Mates of my youth,—yet not my mates, Stronger and bolder far than I, With grace, with genius, well attired, And then as now from far admired, Followed with love They knew not of, With passion cold and shy. O joy, for 

 Prev. P 10/44 next