nothing, and that I can call long-passed conversations and events as readily to my recollection as if they had happened but a few weeks ago. Of two things at least I feel tolerably certain beforehand, in meditating over the contents of this book: First, that I can repeat correctly all that I have heard; and, secondly, that I have never missed anything worth hearing when my sitters were addressing me on an interesting subject. Although I cannot take the lead in talking while I am engaged in painting, I can listen while others speak, and work all the better for it.     

       So much in the way of general preface to the pages for which I am about to ask the reader’s attention. Let me now advance to particulars, and describe how I came to hear the first story in the present collection. I begin with it because it is the story that I have oftenest “rehearsed,” to borrow a phrase from the stage. Wherever I go, I am sooner or later sure to tell it. Only last night, I was persuaded into repeating it once more by the inhabitants of the farmhouse in which I am now staying.     

       Not many years ago, on returning from a short holiday visit to a friend settled in Paris, I found professional letters awaiting me at my agent’s in London, which required my immediate presence in Liverpool. Without stopping to unpack, I proceeded by the first conveyance to my new destination; and, calling at the picture-dealer’s shop, where portrait-painting engagements were received for me, found to my great satisfaction that I had remunerative employment in prospect, in and about Liverpool, for at least two months to come. I was putting up my letters in high spirits, and was just leaving the picture-dealer’s shop to look out for comfortable lodgings, when I was met at the door by the landlord of one of the largest hotels in Liverpool—an old acquaintance whom I had known as manager of a tavern in London in my student days.     

       “Mr. Kerby!” he exclaimed, in great astonishment. “What an unexpected meeting! the last man in the world whom I expected to see, and yet the very man whose services I want to make use of!”      

       “What, more work for me?” said I; “are all the people in Liverpool going to have their portraits painted?”      

       “I only know of one,” replied the landlord, “a gentleman staying at my hotel, who wants a chalk drawing done for him. I was 

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