of the Hatchard Memorial, but none, perhaps, so unforeseen as the fact of her suddenly finding it a convenience to be on good terms with Liff Hyatt. She continued to look up curiously at his freckled weather-beaten face, with feverish hollows below the cheekbones and the pale yellow eyes of a harmless animal. "I wonder if he's related to me?" she thought, with a shiver of disdain.

"Is there any folks living in the brown house by the swamp, up under Porcupine?" she presently asked in an indifferent tone.

Liff Hyatt, for a while, considered her with surprise; then he scratched his head and shifted his weight from one tattered sole to the other.

"There's always the same folks in the brown house," he said with his vague grin.

"They're from up your way, ain't they?"

"Their name's the same as mine," he rejoined uncertainly.

Charity still held him with resolute eyes. "See here, I want to go there some day and take a gentleman with me that's boarding with us. He's up in these parts drawing pictures."

She did not offer to explain this statement. It was too far beyond Liff Hyatt's limitations for the attempt to be worth making. "He wants to see the brown house, and go all over it," she pursued.

Liff was still running his fingers perplexedly through his shock of straw-colored hair. "Is it a fellow from the city?" he asked.

"Yes. He draws pictures of things. He's down there now drawing the Bonner house." She pointed to a chimney just visible over the dip of the pasture below the wood.

"The Bonner house?" Liff echoed incredulously.

"Yes. You won't understand--and it don't matter. All I say is: he's going to the Hyatts' in a day or two."

Liff looked more and more perplexed. "Bash is ugly sometimes in the afternoons."

She threw her head back, her eyes full on Hyatt's. "I'm coming too: you tell him."

"They won't none of them trouble you, the Hyatts won't. What d'you want a take a stranger with you though?"

"I've told you, haven't I? You've got to tell Bash Hyatt."

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