Biltmore Oswald : The diary of a hapless recruit
in its prime. It looks so lonely and helpless there by itself." He
swept his razor around several times with a free-handed,
blood-curdling swoop of his arm. "Well, here goes," he said, shutting
his eyes and approaching me. Tony turned away as if unable to witness
the scene. I was unnerved, but I stood my ground. The deed was done
and I was at last free to depart. "That's a terrible chest for a Show
Girl," I heard him to say to Tony as I did so.

_May 29th._ The world has come clattering down around my ears and I am
buried, crushed and bruised beneath the debris. There was a dress
rehearsal to-day, and I, from the whole company, was singled out for
the wrath of the gods.

"Who is that chorus girl on the end acting frantic?" cried out one of
the directors in the middle of a number. My name was shouted across
the stage until it echoed and resounded and came bounding back in my
face from every corner of the shadow-plunged theater. I knew I was in
for it and drew myself up majestically although I turned pale under my
war paint.

"Well, tell him he isn't walking on stilts," continued the director,
and although it was perfectly unnecessary, I was told that and several
other things with brutal candor. The dance went on but I knew the eyes
of the director were on me. My legs seemed to lose all proper
coordination. My arms became unmanageable. I lost step and could not
pick it up again, yet, as in a nightmare, I struggled on desperately.
Suddenly the director clapped his hands. The music ceased, and I
slowed down to an uneasy shuffle.

"Sweetheart," said the director, addressing me personally, "you're not
dancing. You're swimming, that's what you're doing. As a Persian girl
you would make a first class squaw." He halted for a moment and then
bawled out in a great voice, "Understudy!" and I was removed from the
stage in a fainting condition. This evening I was shipped back to
camp a thoroughly discredited Show Girl. I had labored long in
vicious, soul-squelching corsets and like Samson been shorn of my
locks, and here I am after all my sacrifices relegated back to the
scrap heap. Why am I always the unfortunate one? I must have a private
plot in the sky strewn with unlucky stars. Camp routine after the free
life of the stage is unbearably irksome. My particular jimmy legs was

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