reproducible in a language to which all variations and combinations of anapæstic, iambic, or trochaic metre are as natural and pliable as all dactylic and spondaic forms of verse are unnatural and abhorrent. As it happens, this highest central interlude of a most adorable masterpiece is as easy to detach from its dramatic setting, and even from its lyrical context, as it was easy to give line for line of it in English. In two metrical points only does my version vary from the verbal pattern of the original. I have of course added rhymes, and double rhymes, as necessary makeweights for the imperfection of an otherwise inadequate language; and equally of course I have not attempted the impossible and undesirable task of reproducing the rare exceptional effect of a line overcharged on purpose with a preponderance of heavy-footed spondees: and this for the obvious reason that even if such a line—which I doubt—could be exactly represented, foot by foot and pause for pause, in English, this English line would no more be a verse in any proper sense of the word than is the line I am writing at this moment. And my main intention, or at least my main desire, in the undertaking of this brief adventure, was to renew as far as possible for English ears the music of this resonant and triumphant metre, which goes ringing at full gallop as of horses who 'dance as 'twere to the music Their own hoofs make.' I would not seem over curious in search of an apt or inapt quotation: but nothing can be fitter than a verse of Shakespeare's to praise at once and to describe the most typical verse of Aristophanes. THE BIRDS. (685-723.) Come on then, ye dwellers by nature in darkness, and like to the leaves' generations, That are little of might, that are moulded of mire, unenduring and shadowlike nations, Poor plumeless ephemerals, comfortless mortals, as visions of creatures fast fleeing, Lift up your mind unto us that are deathless, and dateless the date of our being: Us, children of heaven, us, ageless for aye, us, all of whose thoughts are eternal;