Criticism by describing her. “She dwelt on the top of a snowy mountain in Nova Zembla. There Momus found her extended in her den upon the spoils of numberless volumes, half devoured. At her right hand sat Ignorance, her father and husband, blind with age; at her left Pride, her mother, dressing her up in the scraps of paper herself had torn. About her played her children Noise and Impudence, Dulness and p. 4Vanity, Pedantry and Ill-manners. The goddess herself had claws like a cat. Her head, ears, and voice resembled those of an ass.” Bulwer (Lord Lytton) flew out against his critics, and was well laughed at by Thackeray for his pains. Poets are known as the genus irritabile, and I do not know that prose writers, artists, or musicians are less susceptible. Most of us will remember Sheridan’s Critic— p. 4 Sneer: “I think it wants incident.” Sir Fretful: “Good Heavens, you surprise me! Wants incident! I am only apprehensive that the incidents are too crowded.” Dangle: “If I might venture to suggest anything, it is that the interest rather falls off in the fifth act.” Sir Fretful: “Rises, I believe you mean, sir.” Mrs. Dangle: “I did not see a fault in any part of the play from the beginning to the end.” Sir Fretful: “Upon my soul the women are the best judges after all.” In short, no one objects to a favourable criticism, and almost every one objects to an unfavourable one. All men ought, no doubt, to be thankful for a just criticism; but I am afraid they are not. As a result, to criticize is to be unpopular. Nevertheless, it is better to be unpopular than to be untruthful. CONTENTS “The truth once out,—and wherefore should we lie?— The Queen of Midas slept, and so can I.” I am going to do a rather dreadful thing. I am going to divide criticism into six heads. By the bye, I am not sure that sermons now-a-days are any better than they used to be in the good old times, when there were p. 5always three heads at least to every sermon. Criticism should be—1. Appreciative. 2. Proportionate. 3. Appropriate. 4. Strong. 5. Natural. 6. Bonâ fide. p. 5 1. Criticism should be