person who had as yet found any kind of fame. His treatise on “The Probable Existence of Pain in the Lowest Organisms” had been universally hailed by the scientific world as at once solid and daring. In short, he undoubtedly had brains; and perhaps it was not his fault if they were the kind of brains that most men desire to analyze with a poker. 

 The young man who put his hat off and on was a scientific amateur in a small way, and worshipped the great Warner with a solemn freshness. It was, in fact, at his invitation that the distinguished doctor was present; for Warner lived in no such ramshackle lodging-house, but in a professional palace in Harley Street. This young man was really the youngest and best-looking of the three. But he was one of those persons, both male and female, who seem doomed to be good-looking and insignificant. Brown-haired, high-coloured, and shy, he seemed to lose the delicacy of his features in a sort of blur of brown and red as he stood blushing and blinking against the wind. He was one of those obvious unnoticeable people: every one knew that he was Arthur Inglewood, unmarried, moral, decidedly intelligent, living on a little money of his own, and hiding himself in the two hobbies of photography and cycling. Everybody knew him and forgot him; even as he stood there in the glare of golden sunset there was something about him indistinct, like one of his own red-brown amateur photographs. 

 The third man had no hat; he was lean, in light, vaguely sporting clothes, and the large pipe in his mouth made him look all the leaner. He had a long ironical face, blue-black hair, the blue eyes of an Irishman, and the blue chin of an actor. An Irishman he was, an actor he was not, except in the old days of Miss Hunt’s charades, being, as a matter of fact, an obscure and flippant journalist named Michael Moon. He had once been hazily supposed to be reading for the Bar; but (as Warner would say with his rather elephantine wit) it was mostly at another kind of bar that his friends found him. Moon, however, did not drink, nor even frequently get drunk; he simply was a gentleman who liked low company. This was partly because company is quieter than society: and if he enjoyed talking to a barmaid (as apparently he did), it was chiefly because the barmaid did the talking. Moreover he would often bring other talent to assist her. He shared that strange trick of all men of his type, intellectual and without ambition—the trick of going about with his mental inferiors. There was a small resilient Jew named Moses Gould in the same boarding-house, a man whose negro vitality and vulgarity amused Michael so much that he went round with him from bar to bar, 

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