That sets us praising—why not stop with him? 190 Why put all thoughts of praise out of our head With wonder at lines, colors, and what not? Paint the soul, never mind the legs and arms! Rub all out, try at it a second time. Oh, that white smallish female with the breasts, She's just my niece . . . Herodias, I would say— Who went and danced and got men's heads cut off! Have it all out! "Now, is this sense, I ask? A fine way to paint soul, by painting body So ill, the eye can't stop there, must go further 200 And can't fare worse! Thus, yellow does for white When what you put for yellow's simply black, And any sort of meaning looks intense When all beside itself means and looks naught. Why can't a painter lift each foot in turn, Left foot and right foot, go a double step, Make his flesh liker and his soul more like, Both in their order? Take the prettiest face, The Prior's niece . . . patron-saint—is it so pretty You can't discover if it means hope, fear, 210 Sorrow or joy? won't beauty go with these? Suppose I've made her eyes all right and blue, Can't I take breath and try to add life's flash, And then add soul and heighten them three-fold? Or say there's beauty with no soul at all— (I never saw it—put the case the same—) If you get simple beauty and naught else, You get about the best thing God invents: That's somewhat: and you'll find the soul you have missed, Within yourself, when you return him thanks. 220 "Rub all out! "Well, well, there's my life, in short, And so the thing has gone on ever since. I'm grown a man no doubt, I've broken bounds: You should not take a fellow eight years old And make him swear to never kiss the girls. I'm my own master, paint now as I please— Having a friend, you see, in the Corner-house! Lord, it's fast holding by the rings in front— Those great rings serve more purposes than just To plant a flag in, or tie up a horse! 230 And yet the old schooling sticks, the old grave eyes Are peeping o'er my shoulder as I work, The heads shake still—"It's art's decline, my son! You're not of the true painters, great and old; Brother Angelico's the man, you'll find; Brother Lorenzo stands his single peer: Fag on at flesh, you'll never make the third!" [Flower o' the pine, You keep your mistr . . . manners, and I'll stick to mine!] I'm not the third, then: bless us, they must know! 240 Don't you think they're the likeliest to know, They with their Latin? So, I swallow my rage, Clench my teeth,
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