you see here plain enough: Grant I'm a beast, why, beasts must lead beasts' lives! Suppose I own at once to tail and claws; 350 The tailless man exceeds me: but being tailed I'll lash out lion fashion, and leave apes To dock their stump and dress their haunches up. My business is not to remake myself, But make the absolute best of what God made. Or—our first simile—though you prove me doomed To a viler berth still, to the steerage-hole, The sheep-pen or the pig-stye, I should strive To make what use of each were possible; And as this cabin gets upholstery, 360 That hutch should rustle with sufficient straw. But, friend, I don't acknowledge quite so fast I fail of all your manhood's lofty tastes Enumerated so complacently, On the mere ground that you forsooth can find In this particular life I choose to lead No fit provision for them. Can you not? Say you, my fault is I address myself To grosser estimators than should judge? And that's no way of holding up the soul, 370 Which, nobler, needs men's praise perhaps, yet knows One wise man's verdict outweighs all the fools'— Would like the two, but, forced to choose, takes that. I pine among my million imbeciles (You think) aware some dozen men of sense Eye me and know me, whether I believe In the last winking Virgin, as I vow, And am a fool, or disbelieve in her And am a knave—approve in neither case, Withhold their voices though I look their way: 380 Like Verdi when, at his worst opera's end (The thing they gave at Florence—what's its name?) While the mad houseful's plaudits near outbang His orchestra of salt-box, tongs and bones, He looks through all the roaring and the wreaths Where sits Rossini patient in his stall. Nay, friend, I meet you with an answer here— That even your prime men who appraise their kind Are men still, catch a wheel within a wheel, See more in a truth than the truth's simple self, 390 Confuse themselves. You see lads walk the street Sixty the minute; what's to note in that? You see one lad o'erstride a chimney-stack; Him you must watch—he's sure to fall, yet stands! Our interest's on the dangerous edge of things. The honest thief, the tender murderer, The superstitious atheist, demirep That loves and saves her soul in new French books— We watch while these in equilibrium keep The giddy line midway: one step aside, 400 They're classed and done with. I, then, keep the line Before your sages—just the men to shrink