The Phantom of the Opera
he asked of one of the men. 

 "Straight in front of you, the door is open. But let us pass." 

 Pointing to the stretcher, he asked mechanically:  "What's that?" 

 The workmen answered: 

 "'That' is Joseph Buquet, who was found in the third cellar, hanging between a farm-house and a scene from the ROI DE LAHORE." 

 He took off his hat, fell back to make room for the procession and went out. 

 

 

 Chapter III The Mysterious Reason 

 During this time, the farewell ceremony was taking place. I have already said that this magnificent function was being given on the occasion of the retirement of M. Debienne and M. Poligny, who had determined to "die game," as we say nowadays. They had been assisted in the realization of their ideal, though melancholy, program by all that counted in the social and artistic world of Paris. All these people met, after the performance, in the foyer of the ballet, where Sorelli waited for the arrival of the retiring managers with a glass of champagne in her hand and a little prepared speech at the tip of her tongue. Behind her, the members of the Corps de Ballet, young and old, discussed the events of the day in whispers or exchanged discreet signals with their friends, a noisy crowd of whom surrounded the supper-tables arranged along the slanting floor. 

 A few of the dancers had already changed into ordinary dress; but most of them wore their skirts of gossamer gauze; and all had thought it the right thing to put on a special face for the occasion:  all, that is, except little Jammes, whose fifteen summers—happy age!—seemed already to have forgotten the ghost and the death of Joseph Buquet. She never ceased to laugh and chatter, to hop about and play practical jokes, until Mm. Debienne and Poligny appeared on the steps of the foyer, when she was severely called to order by the impatient Sorelli. 

 Everybody remarked that the retiring managers looked cheerful, as is the Paris way. None will ever be a true Parisian who has not learned to wear a mask of gaiety over his sorrows and one of sadness, boredom or indifference over his inward joy. You know that one 
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