centre in which she queened it with great splendour.     

       “Somehow, I fancy her court was composed mostly of men. But Tomassov, I must say, kept such details out of his discourses wonderfully well. Upon my word I don't know whether her hair was dark or fair, her eyes brown or blue; what was her stature, her features, or her complexion. His love soared above mere physical impressions. He never described her to me in set terms; but he was ready to swear that in her presence everybody's thoughts and feelings were bound to circle round her. She was that sort of woman. Most wonderful conversations on all sorts of subjects went on in her salon: but through them all there flowed unheard like a mysterious strain of music the assertion, the power, the tyranny of sheer beauty. So apparently the woman was beautiful. She detached all these talking people from their life interests, and even from their vanities. She was a secret delight and a secret trouble. All the men when they looked at her fell to brooding as if struck by the thought that their lives had been wasted. She was the very joy and shudder of felicity and she brought only sadness and torment to the hearts of men.     

       “In short, she must have been an extraordinary woman, or else Tomassov was an extraordinary young fellow to feel in that way and to talk like this about her. I told you the fellow had a lot of poetry in him and observed that all this sounded true enough. It would be just about the sorcery a woman very much out of the common would exercise, you know. Poets do get close to truth somehow—there is no denying that.     

       “There is no poetry in my composition, I know, but I have my share of common shrewdness, and I have no doubt that the lady was kind to the youngster, once he did find his way inside her salon. His getting in is the real marvel. However, he did get in, the innocent, and he found himself in distinguished company there, amongst men of considerable position. And you know, what that means: thick waists, bald heads, teeth that are not—as some satirist puts it. Imagine amongst them a nice boy, fresh and simple, like an apple just off the tree; a modest, good-looking, impressionable, adoring young barbarian. My word! What a change! What a relief for jaded feelings! And with that, having, in his nature that, dose; of poetry which saves even a simpleton from being a fool.     

    

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