“Very well, then, you’re in a position to pioneer me. You’ve seen it all and won’t be in a hurry.”
“No; I’m at the end of my rope. I haven’t an idea, sir.”
“Well, well, that’s honest at all events.” Then, as he slowly rose with the other’s careful assistance, “There’s no crime without its clew. The thing is to recognise that clew when seen. But I’m in no position, to make promises. Old days don’t return for the asking.”
Nevertheless, he looked ten years younger than when he came in, or so thought those who knew him.
The mezzanine was guarded from all visitors save such as had official sanction. Consequently, the two remained quite uninterrupted while they moved about the place in quiet consultation. Others had preceded them; had examined the plain little desk and found nothing; had paced off the distances; had looked with longing and inquiring eyes at the elevator cage and the open archway leading to the little staircase and the musicians’ gallery. But this was nothing to the old detective. The locale was what he wanted, and he got it. Whether he got anything else it would be impossible to say from his manner as he finally sank into a chair by one of the openings, and looked down on the lobby below. It was full of people coming and going on all sorts of business, and presently he drew back, and, leaning on Sweetwater’s arm, asked him a few questions.
“Who were the first to rush in here after the Parrishes gave the alarm?”
“One or two of the musicians from the end of the hall. They had just finished their programme and were preparing to leave the gallery. Naturally they reached her first.”
“Good! their names?”
“Mark Sowerby and Claus Hennerberg. Honest Germans—men who have played here for years.”
“And who followed them? Who came next on the scene?”
“Some people from the lobby. They heard the disturbance and rushed up pell-mell. But not one of these touched her. Later her father came.”
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