The Confession
fairly itched with the righteousness of her actions.     

       I still held the roses, and as I left the church I decided to lay them on some grave in the churchyard. I thought it quite likely that roses from the same arch had been frequently used for that purpose. Some very young grave, I said to myself, and found one soon enough, a bit of a rectangle of fresh earth, and a jarful of pansies on it. It lay in the shadow of the Benton mausoleum.     

       That was how I found that Carlo Benton had died on the 27th of May, 1911.     

       I cannot claim that the fact at the time had any significance for me, or that I saw in it anything more than another verification of Martin Sprague's solution. But it enabled me to reconstruct the Benton household at the date that had grown so significant. The 30th would have probably been the day after the funeral. Perhaps the nurse was still there. He had had a nurse for months, according to Mrs. Graves. And there would have been the airing that follows long illness and death, the opened windows, the packing up or giving away of clothing, the pauses and silences, the sense of strangeness and quiet, the lowered voices. And there would have been, too, that remorseless packing for destruction of the dead atheist's books.     

       And some time, during that day or the night that followed, little Miss Emily claimed to have committed her crime.     

       I went home thoughtfully. At the gate I turned and looked back. The Benton Mausoleum was warm in the sunset, and the rose sprays lay, like outstretched arms, across the tiny grave.     

       Maggie is amazingly efficient. I am efficient myself, I trust, but I modify it with intelligence. It is not to me a vital matter, for instance, if three dozen glasses of jelly sit on a kitchen table a day or two after they are prepared for retirement to the fruit cellar. I rather like to see them, marshaled in their neat rows, capped with sealing wax and paper, and armed with labels. But Maggie has neither sentiment nor imagination. Jelly to her is an institution, not an inspiration. It is subject to certain rules and rites, of which not the least is the formal interment in the fruit closet.     

       Therefore, after much protesting that night, I agreed to visit the fruit cellar, and select a spot 
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