he commenced again his melancholy refrain, and a moment later she appeared in the doorway:

"Oh, for mercy's sake, stop," she said. She was very pale.

"Look here, Miss Edith, you come in here and tell me what's wrong. Here's a chair. Now sit down and talk it out. It helps a lot to get things off your chest."

"There's nothing the matter with me. And if the boss comes in here and finds me--"

Quite suddenly she put her head down on the back of the chair and began to cry. He was frightfully distressed. He poured some aromatic ammonia into a medicine glass and picking up her limp hand, closed her fingers around it.

"Drink that," he ordered.

She shook her head.

"I'm not sick," she said. "I'm only a fool."

"If that fellow said anything over the telephone--!"

She looked up drearily.

"It wasn't him. He doesn't matter. It's just--I got to hating myself."

She stood up and carefully dabbed her eyes. "Heavens, I must be a sight. Now don't you get to thinking things, Mr. Cameron. Girls can't go out and fight off a temper, or get full and sleep it off. So they cry."

Some time later he glanced out at her. She was standing before the little mirror above the chewing gum, carefully rubbing her cheeks with a small red pad. After that she reached into the show case, got out a lip pencil and touched her lips.

"You're pretty enough without all that, Miss Edith."

"You mind your own business," she retorted acidly.

Lily had known Alston Denslow most of her life. The children of that group of families which formed the monied aristocracy of the city knew only their own small circle. They met at dancing classes, where governesses and occasionally mothers sat around the walls, while the little girls, in handmade white frocks of exquisite simplicity, their shining hair drawn back and held by ribbon bows, made their prim little dip at the door before entering, and the boys, in white Eton collars and gleaming 

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