lines and thoughts are identical with passages of the following poem. Mr. Thorpe has justly called "The Grave" a singularly impressive and almost appalling fragment; expressions equally characteristic of that with which the reader is here presented.

This impressive character, coupled with the interest which the fragment possesses, as a specimen of the moral poetry of our ancestors, and as throwing light upon the transition of our language from Saxon to English, has been the motive for producing it in a more legible form than that in which it first appeared.

In one of the smaller poems (No. V.), printed by Mr. Wright with the Owl and the Nightingale, from the Cottonian MS. Calig. A. ix. "The sorie sowle maketh hire mone," in language not dissimilar to that used in the following fragment; and the dreary imagery of the house appointed for all living, and the punishment which awaits a wicked life at its close, are painted in an equally fearful manner.

Mr. Thorpe points to an Anglo-Saxon prose Homily as the original of the poem on the same theme in the Exeter MS., which is repeated, with some variation, in the Vercelli Codex. In a rude and simple age this dramatic way of awakening the sinner to a sense of his perilous state, was perhaps the most effective that could have been chosen, and it was naturally a favorite with the moral and religious teachers for some centuries. M. Karajan, in a very pleasing little publication (Frülingsgabe für freunde Alterer Literatur, Wien 1839) has printed the "Visio Philiberti," a Latin poem in dialogue on this subject, with two old German versions; and the notes contain some interesting information relating to similar compositions; but Mr. Wright's volume, before referred to, contains ample illustrations of the legend in all languages.

The fragment here given, it will be seen, is very defective. An attempt has been made to supply words which were wanting, from the mutilation of the MS. leaves; but what is engrafted on the original is scrupulously distinguished by the Italic character. A version has also been added, the imperfections of which those who are acquainted with the difficulties of such renderings will best know how to excuse.

The language of this poem seems to have a striking resemblance to that of one of the MSS. of Laȝamon, and we may hope, when the lovers of our early lore shall be favoured with the long and anxiously expected edition of that work by Sir Frederick Madden, that much light will be thrown upon the history of the transitions of our language.

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