The Child of Pleasure
so it was quite possible that she would not be at the Palazzo Farnese that evening. What should he do then? The thought that he might not see her was intolerable; already every hour he passed far from her weighed heavily on his spirits. 'Am I then so deeply in love with her already?' he asked himself. His spirit seemed imprisoned within a circle in which the phantoms of all his sensations in presence of this woman surged and wheeled around him. Suddenly there would emerge from this tangle of memory, with singular precision, some phrase of hers, an inflection of her voice, an attitude, a glance, the seat where they had sat, the finale of the Beethoven sonata, a burst of melody from Mary Dyce, the face of the footman who had held back the portière—anything that happened to have caught his attention at the moment—and these images obscured by their extreme vividness the actual life around him. He pleaded with her; said to her in thought what he would say to her in reality by and by.

Arrived in his own rooms, he ordered tea of his man-servant, installed himself in front of the fire and gave himself up to the fictions of his hope and his desire. He took the little jewelled skull out of its case and examined it carefully. The tiny diamond teeth flashed back at him in the firelight, and the rubies lit up the shadowy orbits. Behind the smooth ivory brow time pulsed unceasingly—Ruit Hora. Who was the artist who had contrived for his Hippolyta so superb and bold a fantasy of Death, at a period too when the masters of enamelling had been wont to ornament with tender idylls the little watches destined to warn Coquette of the time of[37] the rendezvous in the parks of Watteau? The modelling gave evidence of a masterly hand—vigorous and full of admirable style; altogether it was worthy of a fifteenth century artist as forcible as Verrocchio.

[37]

'I recommend this clock to your consideration.' Andrea could not help smiling a little at Elena's words uttered in so peculiar a tone after so cold a silence. He was assured that she intended him to put the construction upon her words which he had afterwards done, but then why retire into impenetrable reserve again—why take no further notice of him—what ailed her? Andrea lost himself in a maze of conjecture. Nevertheless, the warm atmosphere of the room, the luxurious chair, the shaded lamp, the fitful gleams of firelight, the aroma of the tea—all these soothing influences combined to mitigate his pain. He went on dreamingly, aimlessly, as if wandering through a fantastic labyrinth. With him reverie sometimes had the effect of opium—it intoxicated him.


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