The Child of Pleasure
The carriage was still at some distance, standing motionless where they had left it.

'A little further, Elena, just a step or two! Shall I carry you?'

Then, seized with a sort of frenzy, he burst out again—Why was she going away? Why did she want to break with him? Surely their destinies were indissolubly knit together now? He could not live without her—without her eyes, her voice, the constant thought of her. He was saturated through and through with love of her—his whole blood was on fire as with some deadly poison. Why was she running away from him?—He would hold her fast—would suffocate her on his heart first——No—it could not, must not be—never!

Elena listened, with bent head to meet the blast, but she did not answer. Presently she raised her hand and beckoned to the coachman. The horses pawed and pranced as they started.

'Stop at the Porta Pia,' she called to the man, and entered the carriage with her lover. Then she turned and with a sudden gesture yielded herself to his desire, and he kissed her greedily—her lips, her brow, her hair, her eyes—rapidly, without giving himself time to breathe.

'Elena! Elena!'

A vivid gleam of crimson light reflected from the red brick houses penetrated the carriage. The ringing trot of several horses came nearer along the road.

Leaning against her lover's shoulder with ineffable tenderness she said—'Good-bye, dear love—good-bye—good-bye!'

As she raised herself again, ten or twelve red-coated[65] horsemen passed to right and left of the carriage returning from a fox hunt. One of them, the Duke di Beffi, bent low over his saddle to peer in at the window as he rode by.

[65]

Andrea said no more. His whole soul was weighed down by hopeless depression. The first impulse of revolt over, the childish weakness of his nature almost led him to give way to tears. He wanted to cast himself at her feet, to humble himself, to beg and entreat, to move this woman to pity by his tears. He felt giddy and confused; a subtle sensation of cold seemed to grip the back of his head and penetrate to the roots of his hair.

'Good-bye,' repeated Elena for the last time, and the carriage stopped under the archway of the Porta Pia to let him get out.[66]

[66]


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