to write about. This is one of the things which sour the young author even more than do those long envelopes which so tastefully decorate his table of a morning.

[4]

He felt particularly unfitted for writing at that moment. The morning is not the time for inventive work. An article may be polished then, or a half-finished story completed, but 11 A.M. is not the hour at which to invent.

Jerry Garnet wandered restlessly about his sitting room. Rarely had it seemed so dull and depressing to him as it did then. The photographs on the mantelpiece irritated him. There was no change in them.[5] They struck him as the concrete expression of monotony. His eye was caught by a picture hanging out of the straight. He jerked it to one side, and the effect became worse. He jerked it back again, and the thing looked as if it had been hung in a dim light by an astigmatic drunkard. Five minutes' pulling and hauling brought it back to a position only a shade less crooked than that in which he had found it, and by that time his restlessness had grown like a mushroom.

[5]

He looked out of the window. The sunlight was playing on the house opposite. He looked at his boots. At this point conscience prodded him sharply.

"I won't," he muttered fiercely, "I will work. I'll turn out something, even if it's the worst rot ever written."

With which admirable sentiment he tracked his blotting pad to its hiding place (Mrs. Medley found a fresh one every day), collected ink and pens, and sat down.[6]

[6]

There was a distant thud from above, and shortly afterwards a thin tenor voice made itself heard above a vigorous splashing. The young gentleman on the top floor was starting another day.

"Oi'll—er—sing thee saw-ongs"—brief pause, then in a triumphant burst, as if the singer had just remembered the name—"ovarraby."

Mr. Garnet breathed a prayer and glared at the ceiling.

The voice continued:

"Ahnd—er—ta-ales of fa-arr Cahsh-meerer."

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