in my heart! When it is fine, when it is dark, when I am glad, when I am in trouble, why do your lines come unconsciously into my mind, as if they expressed my own feelings better than I can do it myself? That’s not rhyme—that’s poetry! It is the real thing; not pretence.”

A glad smile passed over the boy’s face; he stretched out his hand towards the neglected cup, and quaffed coffee and hope in one reviving draught. “But no one seems to want poetry nowadays!”

“True! I think you may have to wait until you have made a name in the other direction. Why not try fiction? Your prose is excellent, almost as good as your verse.”

“Can’t think of a plot!”

“Bah! you are behind the times, my dear! You don’t need a plot. Begin in the middle, meander back to the beginning, and end in the thick of the strife. Then every one wonders and raves, and the public—‘mostly fools!’—think it must be clever, because they don’t understand what it’s about.”

“Like the lady and the tiger,—which came out first?”

“Ah! if you could think of anything as baffling as that, your future would be made. Write a novel, Ron, and take me for the heroine. You might have a poet, too, and introduce some of your own love-songs. I’d coach you in the feminine parts, and you could give me a royalty on the sales.”

But Ronald shook his head.

“I might try short stories, perhaps—I’ve thought of that—but not a novel. It’s too big a venture; and we can’t spare the time. There are only four months left, and unless I make some money soon, father will insist upon that hateful partnership.”

The girl left her seat and strolled over to the window. She was strikingly like her brother in appearance, but a saucy imp of humour lurked in the corners of her curving lips, and danced in her big brown eyes.

Margot Vane at twenty-two made a delightful picture of youth and happiness, and radiant, unbroken health. Her slight figure was upright as a dart; her cheeks were smooth and fresh as a petal of a rose; her hair was thick and luxuriant, and she bore herself with the jaunty, self-confident gait of one whose lines have been cast in pleasant places, and who is well satisfied of her own ability to keep them pleasant to the end.

“Anything may happen in four months—and everything!” she cried cheerily. “I 

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