silent. Her modulation of grief, in her plaintive pronunciation of the interjection, Oh! is sweetly moving, and reaches to the heart. Her madness in Belvidera is terribly affecting. The many accidents of spectators falling into fainting-fits during her acting, bear testimony to the effects of her exertions. She certainly does not spare herself. None can say that she is not in downright earnest."     

       Thomas Otway, the author of this and some nine other plays, of various merit, none of which, however, now keep possession [vi]of the stage, was the son of a clergyman, and born at Trotting in Sussex, England, in the year 1651. His tragedy of the "Orphan" was for many years as attractive in the representation as "Venice Preserved;" but the plot is of a character to render it distasteful to a modern audience, although it contains passages of remarkable beauty and power. Otway is said to have tried his fortune on the stage as an actor, and to have failed—not an infrequent case with dramatic authors. He appears to have earned but a precarious subsistence by his pen; although from the little we can glean of his history, the inference is, he was improvident, and easily led away by gay, dissipated companions. One of his biographers gives a melancholy account of the destitution of his latter days, and states, that he was reduced to the necessity of borrowing a shilling, to satisfy the cravings of hunger, from a gentleman, who, shocked at the distress of the author of "Venice Preserved," put a guinea into his hands; that Otway was choked with a piece of bread, which he had immediately purchased. He is said to have died the 14th April, 1685. at a public-house on Tower Hill. This story is contradicted by Dr. Warton, who says that the poet died of a distemper brought on by a severe cold.     

[vi]

       Out of Shakspeare's unapproachable domain, we know of no tragedy in the English language to compare with this in the earnestness of its passion, the depth of its pathos, and the aptitude of its language. Although it has not been represented of late years as frequently as formerly, it will be long before it is superseded in its foremost rank in our acting drama.     

  

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       VENICE PRESERVED     

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