High Noon: A New Sequel to 'Three Weeks'
seen that evening? Paul could not tell. He closed the case reluctantly. Never had he expected to see another comparable to his long lost love. Well, he was drifting, perhaps. Who knew?

And yet he felt again, as his hand rested upon the precious casket, that she in her wisdom must be cognizant of it all. Indeed, Paul had gone through the years of his manhood with a feeling that her presence was always near to him. The[174] conviction that had come to him as he had stood in the Cathedral at Langres was too strong to be shaken off. Whatever happened—and Paul meant to win the woman he had that night left in the Faubourg St. Germain—he felt sure his Queen had willed it.

[174]

Such is the inexplicable influence that the dead sometimes exert. I will not try to tell you more of that now. It would take too long. And I should first have to tell you about many sad things that happened a score of years ago, if you do not know them already. And then I might become melancholy. It is my pleasure instead to tell another story altogether, which is joyful and appropriate. And it is this very story which I mean to tell in this book.

[175]

[175]

CHAPTER XVI

hen Paul rang the bell at the Dalmatian Embassy the next afternoon it was with a firm determination to learn more of the Countess's guest. If she would not tell him about herself, then he would find out from the wife of the Ambassador.

The Countess had always warmly welcomed Paul, when Count Oreshefski presided over the legation house in London, and Paul had responded to her motherly interest by opening his heart to a greater extent even than to his own mother, the proud Lady Henrietta. For the Countess had known and loved his Queen—a fact which formed an unalterable bond of sympathy between them.[176]

[176]

Paul wandered about the drawing-room, when the footman had departed with his card, too restless—too eager—to be seated. In one of his turns about the room his eyes alighted on an object which instantly arrested his idle steps. It was a woman's photograph, lying on a small table, as though placed there by a careless hand and then forgotten. A tiny object to work such an effect, but it was enough to bring Paul to a round halt.

There, looking up at him from the card, was the face of the woman he had come to see—Mademoiselle 
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